Initially, Kim Keever’s lush, large-scale photographs of moody landscapes look like they were produced by the Hudson River School painters or the French or German Romantics: sublime, vast, and timeless. Upon closer inspection, cracks in the illusionism appear, as Keever’s landscapes are actually detailed miniature scenes that he builds himself, places in a 200-gallon tank, submerges in water, and photographs. Keever is interested in the combination of artifice and naturalism in landscape painting and how this has shaped our perception of nature.




Engineering, Old Dominion University, Norfolk, VA

NYFA Grant


2011 David B. Smith Gallery, Denver, CO
Charles Bank Gallery, New York, NY
Virginia Museum of Contemporary Art, Virginia Beach, VA

2010 Carrie Secrist Gallery, Chicago, IL

2009 Adamson Gallery, Washington, DC

2008 Kinz, Tillou + Feigen, New York, NY Carrie Secrist Gallery, Chicago, IL

2007 Kinz, Tillou + Feigen, New York, NY

2006 Carrie Secrist Gallery, Chicago, IL

2005 Suspended States, John Michael Kohler Arts Center, Sheboygan, WI Feigen Contemporary, New York, NY

2004 All I Ever Knew, David Floria Gallery, Aspen, CO
From Ohms to Avenues, Gallery 360, Minneapolis, MN

2003 New Work, Cornell Dewitt Gallery, New York, NY 2002 A Raining Day, Fotogalerie Wein, Vienna, Austria

Photographs, Fassbender Fine Art, Chicago, IL

2001 De Chiara/Stewart, New York, NY

1999 De Chiara/Stewart, New York, NY Fassbender Fine Art, Chicago, IL

1997 Art Space, Raleigh, NC
1992 Queens Museum of Art, Queens, NY




PULSE Miami, David B. Smith Gallery, Miami, FL
Otherworldly: Optical Delusions and Small Realities, curated by David McFadden, Museum of Arts and

Design, NYC
25 American Artists, curated by Inhee Iris Moon, Gyeongnam Museum of Art, Chawon, South Korea Deconstructing Nature, curated by J. Greene, Hunterdon Museum, Clinton, NJ
Indexing the World: invention, abstraction and disonance, curated by Andrew Young,The Art Center,

Highland Park, IL
Bowery Lane, Charles Bank Gallery, NYC


More Photographs than Bricks, Luther W. Brady Art Gallery, George Washington University, Washington, DC

Speak for the Trees, Friesen Gallery, Ketchum, ID The Garden, McNeil Art Group Project Space, NYC


As we Live and Breathe, Carrie Secrist Gallery, Chicago, IL
The Landscape Reimagined: Photographs by Kim Keever, Peninsula Fine Arts Center,

Newport News VA
Trouble in Paradise, Tucson Museum of Art, Tucson AZ


Twilight, Institute of Contemporary Art at Maine College of Art, Portland ME
The Elements: Earth, The Gallery of Contemporary Art, Sacred Heart University, Fair- field Conn. Gallery Stable, Carrie Secrist Gallery, Chicago Ill.
10th Anniversary Exhibition, Mixed Greens Gallery, NYC
Landscapes for Frankenstein, Sara Meltzer Gallery, NYC


Kim Keever and Peter Drake, curated by Mark Strathy, CCSU, New Britain, CT
Global Anxieties: Nine Perspectives on a Changing Planet, The College of Wooster Art Museum, Ebert

Art Center, Wooster, OH


Whose Nature? Whatʼs Nature?, Sun Valley Center For the Arts, Ketchum, ID
Between Mind and Nature: Exploring Other Realms, Brattleboro Museum & Art Center, Brattleboro, VT The Contemporary Landscape, Baxter Chang Patri Fine Art, San Francisco, CA
Hedonistic Imperative, Deborah Colton Gallery, Houston, TX


Beautiful Dreamer, curated by David Gibson, Spaces, Cleveland, OH Everland, curated by David Gibson, Annina Nosei Gallery, New York, NY The Hedonistic Imperative, curated by Graham Guerra,
Jack the Pelican Presents, Brooklyn, NY

Staging the Real, Projects at Clifford Chance, New York, NY


Multiplicity, Fota House, Fota Island, Ireland
Elsewhere, Feigen Contemporary, New York, NY
Enchantment, curated by Jennifer McGregor, Wave Hill Gallery, Bronx, NY Second Nature, curated by Linda Dennis, Fish Tank Gallery, New York,

David B. Smith Gallery | 1543 A Wazee Street | Denver, CO 80202 | 303.893.4234 |

Skies & Scapes, DFN Gallery, New York, NY
Images of Time and Place: Contemporary Views of Landscape, curated by Susan

Hoetzel, Lehman College Art Gallery, Bronx, NY; Elaine L. Jacob Gallery, Wayne State University, Detroit, MI


Nature Photography, curated by Jay Grimm, JG Contemporary, New York, NY Supranatural, Mixed Greens Gallery, New York, NY


Fake, curated by Koan-Jeff Baysa, Post Gallery, Los Angeles, CA
Unreal, curated by Mel Watkin, Contemporary Museum of Art/ St. Louis, St. Louis, MO
Photography: Here and Now, Cornell Dewitt Gallery, New York, NY
Staging Reality: Photography from the West Collection at SEI, University of the Arts, Philadelphia, PA; Naples Museum of Art, Naples, FL, 2004
Mixed Greens Presents, at Schroeder Romero, Brooklyn, NY


Lifelike, curated by Joe Houston, Rockford Art Museum, Rockford, IL
Plaza Exhibition, curated by Moukthar Kocache, Lower Manhattan Cultural Council, New York, NY
Mixed Greens at Space 201, Brooklyn, NY


Kim Keever & Jason Yi, Safety-Kleen Gallery One, Elgin Community College, Elgin, IL Assention, curated by Dr. Petra Gilroy, Diozesan Museum, Freising, Germany Transporter, curated by Naomi Urabe, Bangkok, Thailand
Almost Something, curated by Andrew Chesler, Catherine Moore Fine Art,

New York, NY


Kunst Forum Berlin, Berlin, Germany
Culturama, curated by Vanessa Hattoun, Gen Art, New York, NY
Natural World Observed, Bedford Gallery, Walnut Creek, CA
In View of Nature, curated by Susan Hoetzel, Lehman College Art Gallery, Bronx, NY Three Painter Photographers, Richard Heller Gallery, Los Angeles, CA
Artists of the Second District, Federal Reserve Bank, New York, NY
Horizontal Verticality, Rudolph Poissant Gallery, Houston, TX
Three Painter Photographers, Richard Heller Gallery, Los Angeles, CA
Artists of the Second District, Federal Reserve Bank, New York, NY


O.D.U. Artist Retrospective, Norfolk, VA 1994

Last Picture Show, Brodys Gallery, Washington, D.C. 1993

Arachnosphere, curated by Robert Mahoney, Ramnarine Gallery, Long Island City, NY 1990

Art Redux, New England Museum of Contemporary Art, Brooklyn, NY


Kaldewey Press, Metropolitan Museum of Art, New York, NY


Cutting Edge, Patterson Museum of Fine Art, NJ
Recent Acquisitions, Prints & Illustrated Books, Museum of Modern Art, New York, NY
Metropolitan Museum of Art, New York, NY
Museum of Modern Art, New York, NY
Brooklyn Museum of Art, Brooklyn, NY
Hirshhorn Museum, Washington, DC
Virginia Museum of Fine Arts, Richmond, VA
Chrysler Museum, Norfolk, VA
New England Museum for Contemporary Art, Brooklyn, CT
Nassau County Museum of Fine Art, Roslyn, NY
Patterson Museum, Patterson, NJ
George Washington University Gallery, Washington DC


David Revere McFadden, Otherworldly: Optical Delusions and Small Realities,
Museum of Arts and Design, New York, NY 2011
Brice Brown and Mark Shortlife, The Siennese Shredder, Siennese Shredder Edi- tions, 2010 Andria Friesen. Speak for the Trees. Marquand Books. Seattle, WA. 2010.
Spring Edition 2010. Earth Island Journal. Berkley, CA
Neruda, Pablo. Twenty Love Poems & a Song of Desperation. New York:
Kaldewey Press, 1989. (linocut prints)
East Village 86. New York: Pelham Press, 1986.
East Village 85. New York: Pelham Press, 1985.
Yes & No. New York: Kaldewey Press, 1984. (linocut prints)


Teresa Annas, “Kim Keeverʼs Scenes from a Fish Tank”, The Virginian-Pilot, July 22 2011. Jones, Kristin M. “A Small World After All”. The Wall Street Journal, June 9 2011.
Kino, Carol, The New York Times, “A Peephole Perspective of Tiny Worlds” 2011.
The New Yorker, “Goings on About Town”, July 12 2011.

Gladman Randy R, “Kim Keever at Museum of Arts and Design, The Ministry of Art Affairs, Internet Matthias Straub, “Eroded Men/Landscapes”, Lotto-Magazin und Das Spiel Ums Ganze,

(cover and 8 pages)
a novel by Peter Straub, A Dark Matter, Double Day (cover) 2010.
van der Does,. “Willekeur als Kracht.” Bieneke, August. (photos) Amsterdam, Netherlands 2010. Tucson Museum of Art, Preview Magazine, May 2009, (cover)
Wilson, Michael. “Reviews.” Art Forum, March 2009. (photo)
Erickson, Mark St. John. “Luminous Landscapes.” Metro Mix Hampton Roads, Feb. 22, 2009 Annas, Teresa. “Art.” Virginian-Pilot, Jan. 22, 2009. (photo)
Wright, Jeffrey Cyphers. “More Romantic Than a Blue Rose.” Chelsea now, Oct. 31 2008. Interview with Lena Vigna, Kohler Foundation, Kohler, WI. 2008.
Oates, Leah. “The Altered Landscape: An Interview with Kim Keever”, New York Arts Magazine,

May 2007. (photo)
Jacobs, Joseph. “Environmental Attitudes: Four Under-Recognized Artists, 2007. Survey Their Surroundings.” Art and Antiques Feb. 2007: 97.
Pickney, Roger. “The Bare Boughs of Winter Trees.” Orion Jan/Feb 2007: 53. Vigna, Lena. “Kim Keever: Suspended States.” catalog essay for Kim Keever:

Suspended States exhibition. John Michael Kohler Arts Center, Sheboygan,

WI Oct.2005-Feb.2006.
Artnet, Alan G. “Paintings are loud and brassy mash-ups of pop, Old Master.” Chicago Tribune 15

Sept. 2006.
Leffingwell, Edward. Art in America Oct. 2005: 172. Angrist, Laurel. New York Press

Feb. 9-15 2005. <>
Cyphers Wright, Jeffrey. ”Romancing the Tones.” OffOffOff 12 Jan. 2005.

Hrbacek, Mary. “Kim Keever at Feigen Contemporary.” The New York Art World Feb. 2005

<> “Readings.” Harperʼs July 2005. (photo)
Vigna, Lena. “Interview with Kim Keever.” John Michael Kohler Arts Center, Oct. 2005. MacInnis, Brendon. “Reviews.” New York Art World Oct. 2003. (photo)
Cohen, David. “Gallery Going.” Artcritical 31 July 2003

Holg, Garrett. “Reviews.” Art News May 2002. (photo)
Daniel, Jeff. “Unreal or the genuine article.” St. Louis Post-Dispatch 8 Sept. 2002: A&E section. Kerman, “Double Take.” Riverfront Times 21-27 Aug. 2002:Night & Day Section.
Watkin, Mel. catalog essay for Unreal exhibition. Contemporary Art Museum, St. Louis Mi. Oct. 2002. Nakamura, Marie-Pierre. “Ambience Keever.” Art Actuelle Mar. 2001. (photo)
Kastner, Jeffrey and Sina Najafi. “Our Weather: a selection.” Cabinet Summer 2001. (photo) Johnson, Ken. “Almost Something: Depictive Abstraction.” New York Times 28 April: Art Section. Schneider, John. catalogue essay. Elgin College Arts Center, 2000.
Hsu, Wesley. “Neither Here Nor There.” Bangkok Metro Feb. 2000. (photo)
Mahoney, Robert. “Synthetic Realism.” Time Out New York, Apr. 1999. (photo)
White, Kit. “Artist Reviews.” Review 15 Apr. 1999.
“Reviews.” The Village Voice, 27 Apr. 1999.
Zimmer, William. “The Hudson River School Keeps on Rolling Along.”
New York Times 17 Oct. 1999, late ed.: 1.
Hawkins, Margaret. “Reviews.” Chicago Sun-Times 12 Nov. 1999. (photo)
New York Contemporary Art Report Mar.-Apr. 1999.
Knight, Christopher. Los Angeles Times 26 Nov. 1999.
Greenberg, Blue. “Important Key in Keever Landcapes.” Durham Herald Sun 21 Mar. 1997.(photos) Ottmann, Klaus. “The New Spiritual.” Arts Magazine Oct. 1993. (photo)
Mahoney, Robert. “Reviews.” Arts Magazine 1987. (photo)
Gardner, Colin. Los Angeles Times 15 Feb. 1987.
Potter, Everett. “Reviews.” Arts Magazine June 1986. (photo)
Henegan, Darragh. “Art in New York.” The Ritz Nov. 1986.
Potter, Everett. “The Paintings of Kim Keever.” Arts Magazine 1986.
Gorney, Jay. “The East Village.” Feb. 1984.
Levin, Kim. “Chill Out New York.” The Village Voice, Aug. 1984.
Robinson, Walter. East Village Eye Nov. 1983. 

Kim Keever