1971 Born April 26 New York
1993 Hampshire College, Amherst
1994 Zorach Fellowship to attend Skowhegan School of Painting and Sculpture
1995 MFA, Rhode Island School of Design
1998 Rema Hort Mann emerging artist grant
2001 New York Foundation for the Arts: Individual Artists Grant
2005 John Jones Art Prize, Zoo Art Fair, London
Lives in Northampton, MA. Works in Northampton and Brooklyn.
Selected Solo Exhibitions
Hoping to Help, Weatherspoon Art Museum, Greensboro, NC
Danica Phelps, NF/Nieves Fernandez, Madrid
Mapping Chico, University Art Gallery, California State University, Chico, CA
Income’s Outcome (Part Five), Galerie Werner Klien, Cologne, Germany
Income’s outcome (Part three) Patrick Heide Gallery
Income’s Outcome (Part four) Gallerie Laurent Mueller, Paris.
Income’s Outcome, Dina4 Projekte, Munich.
Income’s Outcome, N F Galería, Madrid.
The Cost of Love, Brennan & Griffin, New York
Danica Phelps, Galerie Hubert Winter, Vienna
The Cost of Love, Galeria Nieves Fernández, Madrid
Bankrupt, Ritter/Zamet, London
Mark Down, Nolan Judin, Berlin
Drawings about the present quickly become works about the past, Kathryn Brennan Gallery, Los Angeles, CA
Nesting, Judi Rotenberg gallery, Boston, MA
Drawings about the present quickly become works about the past, Galleria Glance Turin
Now and Then, Kavi Gupta Gallery, Chicago
Saving Time, Galeria Nieves Fernández, Madrid
Getting Ready, Dina4Projekte, Munich
Stripe Factory, Sister, Los Angeles
Material Recovery, Zach Feuer, New York
Danica Phelps: This Time last Year, Ritter/Zamet, London
Saving Time, Thirty Seven Degrees, Sydney
Stripe Factory, Rotwand, Zurich
Drawing Flowers, Dina4Projekte, Munich
Stretch, Sister, Los Angeles
Two Takes with Debi Ray-Chaudhuri, Allston Skirt Gallery, Boston
India: Two Views, project room with Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago
Wake, Zach Feuer Gallery (LFL), New York
Integrating Sex Into Everyday Life, Galerie Schütte, Essen
Integrating Sex Into Everyday Life, Staub gfzgk*, Zurich
Getting My Money’s Worth, Ritter/Zamet, London
2 D.s – w/ Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago
Integrating Sex into Everyday Life, Allston Skirt Gallery, Boston
Writers Trade, Falconer Gallery, Grinnell
Danica Phelps, Judi Rotenberg Gallery, Boston
Integrating Sex into Everyday Life, Sister, Los Angeles
Danica Phelps, Galerie Hubert Winter, Vienna
Danica Phelps, Art House, Austin, TX
Walking: From Los Angeles to San Fransisco, Allston Skirt Gallery, Boston
Integrating Sex into Everyday Life, LFL Gallery, New York
Ten Day Trade, OR Gallery, Vancouver
Walking 9-5 Amsterdam, Annet Gelink Gallery, Amsterdam
New Drawings, Galerie Schütte, Essen
Artist, Collector, Curator, Spy, LFL Gallery, New York
Trade Two, LFL Gallery, New York
From Barcelona to Krems, Galerie Stadtpark, Krems
2nd Generation, Herter Gallery: UMASS, Amherst
Bill Trip, Maine Center for Contemporary Art, Rockport
Bill Trip, Project Room, Roberts & Tilton, Los Angeles
Walking: From Los Angeles to San Fransisco, Michael Martin Gallery, San Francisco
Funny Money, Jack Tilton Gallery, New York
A Housewife at Work, Sol Koffler Gallery, RISD, Providence
Selected Group Exhibitions
Wound, 41 Cooper Gallery, NYC
Loups, Musee Cogacq-Jay, Paris
Drawing Rooms, Trends in Contemporary Graphic Arts, Hamberger Kunsthalle, Hamburg, Germany
Lists, Drive-by Projects, Boston
Vienna Biennale 2015: Ideas for Change, Austrian Museum of Applied Arts/Contemporary Art, Vienna, Austria
Creativity at Work, Sun Valley Art Center, Idaho.
Color and System, Werner Klein, Colonia
The Lightning Speed of the Present, 808 Gallery, Boston University, Boston
Creativity at Work, Sun Valley Art Center, Sun Valley, Idaho
Zeichtnung 13, Galerie Michael Sturm, Stuttgart.
Double Take, Mill College Art museum, Oakland.
The Drawing Room, Ursula Blickle Stiftung, Kralchtal-Unterowishelm, Alemania/ Taxipalais, Innsbruck
Artist’s Walks, The Persistance of Peripaticism, Dorsky Gallery, Nueva York.
Kunst und Neue Arbeitswelt, Stadtische Galerie Waldkraiburg. Alemania.
Hawk and Handsaw: Twenty Who Knew the Difference, Center for Maine Contemporary Art, Rockport
Storytelling in Contemporary Drawing, Museum Folkwang, Essen, Germany
Selections from the Collection, DePauw University, Greencastle, IN
Drawings on Hands, Print Room, Rotterdam
BROODWORK: It’s About Time, Otis Ben Maltz Gallery, OTIS College of Art and Design, Los Angeles, CA
Day-to-Day (PHOTOS): Artists’ Daily Practices, Martos Gallery, New York
The Philosophy of Money, White Pavilion of the Lisbon City Museum, Lisbon, Portugal
Pictures about Pictures, Museum Moderner Kunst Stiftung Ludwig, Vienna
Desire, Blanton Museum of Art, The University of Texas at Austin, Austin, TX
Hampshire College 40th Anniversary Alumni Art Exhibition, Hampshire College, Amherst, MA
In Transit, Rotwand, Zurich
Slightly Unbalanced, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond, VA
Everyday(s), Casino Luxembourg – Forum d’art contemporain, Luxembourg, LU
New Language, Ogilvy & Mather, New York
Slightly Unbalanced, Hunington Museum of Art, Huntington, WV; Paul and Lulu Hilliard University Art Museum, Lafayette, LA,
Sign/Age: Lost in the Supermarket, Armand Bartos Fine Art, New York
When a clock is seen from the side it no longer tells the time, Johann König, Berlin
The Enterprise of Art, Palazzo delle Arti Napoli, Naples
Linear Perspectives, Center for Maine Contemporary Art, Rockport
Collecting & Collectivity, Conduit Gallery, Dallas
Slightly Unbalanced, Chicago Cultural Center, Chicago, IL; Museum London, Ontario; Huntington Museum of Art, Huntington; Paul and Lulu Hilliard University Art Museum, Lafayette; Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond
A Matter of Time, Andrea Meislin Gallery, New York
Perspectives 159: Superconscious, Automatisms Now, Contemporary Museum of Art, Houston
Skirting the Line: Conceptual Drawing, The New Center for Contemporary Art, Louisville
Drawing is a verb, Coleccao Madeira Corporate Services, Porta 33, Itha da Porta
The Price of Everything… Perspectives on the Art Market, City University of New York Graduate Center, New York, curated by the Whitney Museum Independent Study Program
Ceci n’est pas… (this is not…), Sara Melltzer Gallery, New York
Tease, MNireille Mosler, Ltd., New York
Warhol & …, Kantor/Feuer, Los Angeles
Summer Group Show, Galleria Glance, Turin
Minimalism and Applied, DaimlerChrysler Contemporary, Berlin
Don’t Look: Contemporary Drawings from an Alumna’s Collection, Martina Yamin, Class of 1958, Davis Museum and Cultural Center at Wellesley College, Wellesley
A Great Delicacy, Taylor De Cordoba Gallery, Los Angeles
Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca
I’m Busy, GAK Gesellschaft für Aktuelle Kunst, Bremen
Particulate Matter, Mills College Art Museum, Oakland
Walking & Falling, Magasin 3 Konsthall, Stockholm
Skirting the Line: Conceptual Drawing, DePauw University, Greencastle
Group show, Studio Guenzani, Milan
The General’s Jamboree, Guild and Greyshkul, New York
Dating Data, Josee Bienvenu Gallery, New York
Linien Zeichnung, Dina4Projekte, Munich
22 Anniversary, Jack Tilton Gallery, New York
Emotions, Guild & Greyshkul, New York
Wiener Linien, Wien Museum, Vienna
Dessin et Des Autres, Catherine Bastide, Brussels
California Earthquakes, Daniel Reich Gallery, New York
Erotic Drawings, Aldrich Museum of Art, Ridgefield
Self Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln
Open, Brooklyn Museum of Art, Brooklyn
Home, D.U.M.B.O. Arts Center, Brooklyn
Art As Autobiography, Rare Gallery, New York
Sexy Beast, Ethan Cohen Fine Art, New York
9th Drawing Invitational, Arkansas Arts Center, Little Rock
Kunsthalle Exnergasse, Vienna
Neoqueer, Center of Contemporary Art, Seattle
Brooklyn Museum of Art, Brooklyn
Farnsworth Museum of Art, Rockland
I’m nothing with out you, Platform Gallery, Istanbul
Frankenstein, Tanya Bonakdar Gallery, New York
Fresh Meat, Cepa Gallery, Buffalo
Living Inside the Grid, New Museum of Contemporary Art, New York
For the Record: Drawing Contemporary Life, Vancouver Art Gallery
Walking Rhetorics, Galerie Hubert Winner, Vienna
New York Drawings, Samuel Harn Museum of Art, University of Florida, Gainesville
Subscribe, Bard Center for Curatorial Studies, Annadale
Bootleg Identity, Caren Golden Fine Art, New York
Special Needs, Verein für Bildende Kunst, Graz
Domestic Culture, ICA at MECA, Portland
Contemporary Narratives, Skidmore College, Saratoga Springs
Brooklyn!, ICA at Palm Beach, Palm Beach
Going:, Urban Institute of Contemporary Art, Grand Rapids
No where Fast, Lizebeth Oliveria Gallery, Oakland
In Transit, Vacancy Gallery, Bronx
Inside the City, Gallery 400, UIC, Chicago
Another Cusp, Gallery of Colgate University, Hamilton
Let’s Get to Work (travel), Susquehanna Art Museum, Harrisburg
Vida Politica, (cat.) SALA MONTCADA “la Caixa”, Barcelona
To Be Continued…, Art in General, Bellwether, Parlor Projects, Brooklyn
Time and Duration, Angels Gallery, Santa Monica
100 Drawings, PS1, New York
Gallery Artists, Jack Tilton Gallery, New York
Document, Hampshire College, Amherst
Inventory, White Columns, New York
The Body Politic, Maine Coast Artists, Rockport (2 person show)
Subjectifying Objects, Mobilizing Objects, (2 person show) Artemesia Gallery
These Fantasies are Normal, HERE Gallery, New York
Lloyd, Joe. “Vienna Biennale 2015-Ideas for Change”. disegnodaily.com 24 June 2015
Urist, Jacoba. "From Paint to Pixels". The Atlantic, May 14, 2015.
Ermen, Reinhard. “Danica Phelps”. Kunstforum International 223, Sept-Oct 2013.
Von Hawranek, Dietmar. “Warhols Modelle”. Der Spiegel 46/2013.
Leitsinger, Miranda. “Shruggling off legal set back, Danica Phelps turns court ruling into new work.’ msnbc.com
Robecchi, Michele. Interview. Wandering, 2012.
Butler, Sharon. “Stopping time: On Kawara and Danica Phelps.” twocoatsofpaint.com, January 19, 2012.
Miller, Leigh Anne. “The Lookout: A Weekly Guide to Shows You Won’t Want to Miss.” Artinamerica.com, January 12, 2012
Quinn, John. “Danica Phelps.” ArtReview, December, 2011.
Benzer, Christa. “Galerie Winter: Lebens- und Liebeskosten.” DER STANDARD, Printausgabe, 14.7.2011.
Nomblot, Javier Rubio. “El Arte de la Contabilidad.” ABC Cultural ABC.es, March 5, 2011 p. 31.
“Stripebook: Creación 2.0.” Comunicación Cultural, March 20, 2011
Pozuelo, Abel. “Danica Phelps. The Cost of Love.” El Mundo, February 25, 2011.
“La Feria Internacional de Arte Contemporáneo cumple 30 años.” rtve.es. February 17, 2011.
Couillaud, Anne. “Day-to-Day (PHOTOS): Artists’ Daily Practices Incorporate the Time Dimension.” Huffington Post, February 23, 2011.
Ewing, Margret. “Danica Phelps.” Artforum.com, September 28, 2009.
Mizota, Sharon. “Art review: Danica Phelps at Kathryn Brennan Gallery.” LA Times, November 6, 2009.
Barreca,Laura. “The Enterprise of Art.” Palazzo delle Arti Napoli, 16 May — 30 June 2008.
O’Neill-Butler, Lauren.. “ Danica Phelps.” Artforum, October 2008: 385.
Rosenberg, Karen. “ Danica Phelps.” The New York Times, July 11, 2008.
Churner, Rachel. “Critic Picks: Danica Phelps.”, Artforum.com, July 2008.
Killeen, Michael. “ Art by the Inch.” Bloomberg.com, July 1, 2008.
Cohan,David. “The Erotic, the Political, and the Personal.” The New York Sun, June 26, 2008: 25.
Pelczer,Eva. “Danica Phelps: Painted.” NY Arts, July/August 2008.
Ollman, Leah. “Danica Phelps at Sister.” Art in America, June / July 2008: 203.
Coburn,Taylor. “Details: Danica Phelps.” Artreview, June 2008.
Gordon, Ginny. “Danica Phelps: Saving Time.” Time Out Sydney, June 4-10, 2008.
Hapgood, Susan. “Slightly Unbalanced.” Slightly Unbalanced Catalogue, Independent Curators International, 2008: 43-45, 68.
Falconer, Morgan. “Zach Feuer.” Art World, April/May 2008.
Ollman, Leah. “Danica Phelps reveals life’s details in stripes.” Los Angeles Times, March 7, 2008.
Friedrich, Kristin. “The ‘Don’t Miss’ List.” Los Angeles Downtown News, Feb. 18, 2008.
Simblist, Noah and Terranova, Charissa N. “Collecting and Collectivity.” Art Lies, Winter 2007: 66 – 71.
LeBlanc,Caroline Starry. “Superconscious, Automatisms Now.” Houstonist, December 13, 2007.
Von Burg, Dominique. “Zürich: Danica Phelps in der Galerie Rotwand.” Kunstbullentin, December 2007.
Douglas, Sarah. “Show Me the Money.” Art+Auction, Nov. 2007: 212-217.
Steele, Robin.”’Starving Artist’ keeps tabs on her dinner and her art.” Brown Daily Herald, September 28, 2007.
“Slightly Unbalanced.” ICI, 2007: 12.
“Three exhibitions at CMCA explore worlds beyond.” Village Soup, December 31, 2006.
Ollman, Leah. “The Art of Credits and Debits.” Los Angeles Times, May 5, p. E26.
Cohen, David. “Gallery-Going.” The New York Sun, September 22.
Glueck, Grace. “Airborne Sex and Wicked Wallpaper: Sensual Samplings.” The New York Times, July 29.
Hill,Christine. “Artists on Artists: Christine Hill on Danica Phelps.” Bomb, Spring, No. 91, pp. 14-15.
Roberts, Bryony. “Splish Splash.” The L Magazine, Sept 28 – Oct 11, p. 57.
Saltz, Jerry. “Ups and Downs.” The Village Voice, September 23.
Smith,Roberta. “Danica Phelps.” The New York Times, September 9.
“The Autumn Art Scene; Top 10 shows to see right now.” The L Magazine, Sept 28-Oct 11, p 63.
Cohen, David. “As Sprawling as Brooklyn Itself.” New York Sun, April 22.
Foster, Catherine. “Her art is out of the ordinary.” The Boston Globe, February 13.
Giuliano, Charles. “Making Their Mark.” Maverick Arts, issue 128, February 22.
“Kunst Raum: Galerie Hubert Winter: Leib.” Die Presse.com, October 28, p. 39.
Leffingwell, Edward. “Danica Phelps at LFL,” Art in America, April, pp. 127-128.
Snider,Suzanne. “Interview: Danica Phelps.”, The Believer, July, Vol. 2, No. 7.
Streitfeld, L.P. “Business not as usual at Uconn.” The Advocate & Greenwich Time, January 11.
Lopata, James A. “Who Are You? Who? Who? Who? Who?” IN newsweekly, Boston, February 18, pp. 26-27.
Loveless, Natalie. “Danica Phelps at Allston Skirt Gallery.” Big Red & Shiny, Issue 02, February.
McLaughlin, Nina. “The Artist As Actuary.” The Boston Phoenix, February 6-12.
Ode, Susan. “Words without Varnish, Review.” Faulconer Gallery magazine, September, p. 57.
Saltz, Jerry. “Termite Theory.” The Village Voice, June 23-29, p. 89.
Schedlmayer,Nina. “Galerie Hubert Winter: Danica Phelps.” Art Magazine Kunstnet.at, Nov. 3.
Scheyerer, Nicole. “Kunst Kurz.” Falter 44/04, p. S39.
“Self-Evidence: Identity in Contemporary Art.” Artdaily.com, April 8.
Anderson, Leslie. “Illustrating a Journey and Saving the Receipts.” The Boston Globe, p. l Cal-1, July3.
Cohen, David. “Gallery-Going.” The New York Sun, September 11, p. 17.
“Galleries – Chelsea.” The New Yorker, September 29, p. 26.
Genocchio, Benjamin. “Biting the Hand That Feeds Them.” The New York Times, December 7, (CT ed.).
Harris, Jane. “Danica Phelps.”: Time Out New York, September 18-25, p. 58.
Harris, Michael, “Arts & Life; Artist’s barter system answers questions of commercial work,” The Vancouver Sun, June 28, 2003: F8
Levin, Kim. “Voice Choices.” The Village Voice, September 3-9, p. 51.
Phelps, Danica. “Lunch with the Editor.” Cabinet, March, Subscription Card.
Richard,Frances. “Danica Phelps.” Artforum, November, p. 192.
Rudick, Nicole. “Danica Phleps.” Artforum.com, September 11, 2003.
Smith, Roberta. “When Exhibitions Have More to Say Than to Show.” New York Times, April 13, p. 31.
Cattelan, Gioni and Subotnick. “Charley 02.” Les Presses du Reel, Dijon.
Cotter, Holland. “Danica Phelps.” The New York Times, E33, April 26.
Dannatt, Adrian. “Free art-as in unpaid.” The Art Newspaper, pg. 18 April.
“Editors Train to Essen.”, Coolibri, December, pg. 68.
“Editors.” Neue Ruhr Zeitung, December 4.
Gioni,Massimiliano. “New York Cut Up.” Flash Art, pg. 79, June.
Heartney, Eleanor. “Brooklyn! at Palm Beach ICA.” Art in America, April, pg. 157.
Hms, “Danica Phelps.” Heinz Essen, November, pg. 42.
Levin, Kim. “Voice Choices.” The Village Voice, April 30, p. 78.
Levin, Kim. “Voice Choices: Bootleg Identity.” The Village Voice, July 23, p. 76.
Linke, Rosalija. “Danica Phelps.” Sterz, November, pg. 34-37.
Moore, Alan. “Materialist Memoranda.” Artnet.com, May 6.
Rosenberg, Karen. “Copy Cat.” The Village Voice, May 7, p. 63.
Speh, Scott. “Hot Commodities.” Issue 15, Spring.
Sarah Valdez, Bootleg Identity, Time Out New York, June 27.
Vidal, Juame. “Dos Exposiciones en la Sala Montcada Penetran en lo Privado.” El Pais, February 10.
Caniglia,Julie. “Danica Phelps at LFL Gallery.” Artforum, May, p. 179.
Fels, Sophie. “Goings on About Town.” The New Yorker, March 26, p. 22.
Thompson, Chris. “Domus Operandi.” The Portland Phoenix, March 16.
Cotter, Holland. “For Hikers Seeking Art, Brooklyn is a Left Bank.” The New York Times, Dec 15.
Hoff, James. “The Art is in the Details.” Daily Hampshire Gazette, February 17.
Vidal,Juame. “El Arte de la Normalidad.” Arte, February 2, p. 50.
Smith, Roberta. “Conceptual Art: Over And Yet Everywhere.” The New York Times, April 25.
Volk, Gregory. “Danica Phelps at Jack Tilton.” Art in America, July, p. 96.
Cotter, Holland. “A Tour Through Chelsea, The New Center Of Gravity.” The New York Times, May 15.
Halle, Howard. “Danica Phelps, Funny Money.” Time Out New York, Dec 17-31, p.106.
Johnson, Ken. “Danica Phelps, Funny Money.” The New York Times, Dec 11.
Levin, Kim. “Voice Choice: Danica Phelps.” The Village Voice, December 18-25.
Monographs and Catalogues
Hawk & Handsaw: The Journal of Creative Sustainability. Volume 4, 2011, pp.41-43.
Blanton Museum of Art, Desire, The University of Texas at Austin
Hampshire College, 40th Anniversary Alumni Art Exhibition Catalogue
Onnen, Serge, ed. Drawings on Hands. Atlanta/New York: J & L Books, 2010, print.
Pedrosa, Adriano. Desenhos [drawings]: A-Z, Colecção Madeira Corporate Services.
Torres,David. Danica Phelps: Saving Time. Galeria Nieves Fernández.
Makert, Gabriele. Bin Beschäftigt, Bremen: GAK Gesellschaft für Aktuelle Kunst.
Mickenberg,David. Don’t Look, Contemporary Drawings from the Collection of an Alumna (Martina Yamin, Class of 1958), Wellesley: Davis Museum and Cultural Center, Wellesley College.
Wiehager, Renate. DaimlerChrysler Collection. Minimalism and Applied I. September 21, 2007 – January 27, 2008, Berlin: DaimlerChrysler Contemporary, pp. 68 – 71.
Scott, Minnie. The Price of Everything…Perspectives on the Art Market, New York: Whitney Museum of American Art and Yale University Press.
Horodner,Stuart . Contemporary Erotic Drawing, Connecticut: The Aldrich
Contemporary Art Museum, Pp. 80-81.
Phelps, Danica. A Book of D’s, Volume and Zach Feuer Gallery.
Phelps, Danica.,Every Day Life, Grinnell College.
Siegel, Katy and Mattick,.Paul. Art Works: Money, London: Thames & Hudson.
Augaitis, Daina. For the Record: Drawing Contemporary Life, Vancouver Art Gallery.
Cameron, Dan and Phillips, Lisa. Living Inside the Grid, New Museum of Contemporary Art, New York.
Chu, Ingrid. “Danica Phelps: Artist, Collector, Curator, Spy.” in Subscribe: Recent Art in Print. New York: Center for Curatorial Studies at Bard College, 76-88.
Dressler, Christiane. Die Kunst der Nackten Tatsachen, November, 2002 pg. WES 05.
Koransky , Leah. Contemporary Narratives, Saratoga Springs: Skidmore College.
Nahas and Rush. Brooklyn, Palm Beach: Institute for Contemporary Art.
Weintraub,Linda. EnvironMentalities: Twenty-Two Approaches to Eco-Art, Artnow Publications, 47-51.
Torres, David. Danica Phelps, Aleksandar Ilic, Ivana Keser. Barcelona: Fundacio “la Caixa”.
Arkansas Arts Center, Little Rock, AR
Colecção Madeira Corporate Services, Itha da Porta, Portugal
Daimler Art Collection, Berlin, Germany
Farnsworth Art Museum, Rockland, ME
Hammer Museum, Los Angeles, CA
Hamberger Kunsthalle, Hamberg, Germany
Magasin 3 Konsthall, Stockholm, Sweden
University of New Mexico Art Museum, Albuquerque, NM
Seattle Art Museum, Seattle, WA
Tang Museum, Skidmore College, Saratoga, NY
The West Collection
Wien Museum, Vienna, Austria
Yale Art Museum Collection, New Haven, CT